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		<title>Week 11-Identity-Herring</title>
		<link>http://raegel.wordpress.com/2009/05/29/week-11-identity-herring/</link>
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		<pubDate>Fri, 29 May 2009 04:48:05 +0000</pubDate>
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				<category><![CDATA[arts1090]]></category>
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		<description><![CDATA[Susan C. Herring Questioning the Generational Divide: Technological Exoticism and Adult Constructions of Online Youth Identity The reading this week covers and extensive range of topics and in reading this I have chosen to focus on the areas relating to the “Internet Generation” and “How does the ‘Internet Generation’ view Digital Media?”. Internet Generation: The [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=raegel.wordpress.com&amp;blog=6897549&amp;post=24&amp;subd=raegel&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><em><strong>Susan C. Herring<br />
Questioning the Generational Divide: Technological Exoticism and Adult Constructions of Online Youth Identity</strong></em></p>
<p>The reading this week covers and extensive range of topics and in reading this I have chosen to focus on the areas relating to the “Internet Generation” and “How does the ‘Internet Generation’ view Digital Media?”. </p>
<p><strong>Internet Generation:</strong></p>
<p>The Internet Generation refers to those born in the late 1980s &amp; 1990’s.  Herring discusses how this generation is almost dependant on the Internet for socialising, entertainment purposes and several other things. I found a key point in relation this section would relate to the idea that young people are to be the future of digital media. Herring discusses the concept that new technologies are created by the adults, but having said that, the most common users are the younger generation. It has also become apparent that young people use the Internet today as a means to alter their identity and become someone their not.  Herring discusses the media shift in relation to researching on youth and the new forms of media. </p>
<p><strong>How does the “Internet Generation” view Digital Media?:</strong></p>
<p>I found this section of the reading to have considerable value to the overall report as it shows distinctive links between the Internet generation and media itself. Herring discusses the concept that the Internet generation use technology for social connectivity, which is a key point to identity within the media. Herring poses key arguments that young generations do not consider standard cellphones as a form of technology, I found this to be a very key point, as it is true. If a young teen is to pick up a standard cellphone, they would not see it as technologically advanced, but when one picks up an iPhone, it is automatically seen as the newest and coolest form of technology.<br />
Overall I think that Herring really considers and discusses several key points in relation to young people and their identity through media forms. </p>
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		<title>Week 10-Discourse Mary Macken-Horarik</title>
		<link>http://raegel.wordpress.com/2009/05/21/week-10-discourse-mary-macken-horarik/</link>
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		<pubDate>Thu, 21 May 2009 22:54:34 +0000</pubDate>
		<dc:creator>raegel</dc:creator>
				<category><![CDATA[arts1090]]></category>
		<category><![CDATA[M13A]]></category>
		<category><![CDATA[Discourse]]></category>
		<category><![CDATA[Mary Macken-Horarik]]></category>
		<category><![CDATA[week 10]]></category>

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		<description><![CDATA[Discourse Mary Macken-Horarik-Australian Review Of Applied Linguistics The reading this week focused once again on newspapers very commanding role when expressing media stories. Macken-Horarik’s article relates to the awful truth that people had been throwing their children over-board; this was particularly true of asylum seekers. Through the use of informative tables Macken-Horarik has been able [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=raegel.wordpress.com&amp;blog=6897549&amp;post=22&amp;subd=raegel&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><strong>Discourse Mary Macken-Horarik-Australian Review Of Applied Linguistics</strong></p>
<p>The reading this week focused once again on newspapers very commanding role when expressing media stories. Macken-Horarik’s article relates to the awful truth that people had been throwing their children over-board; this was particularly true of asylum seekers. Through the use of informative tables Macken-Horarik has been able to accurately and simply discuss what she feels are the key points to her article. Macken-Horarik quotes Michael Clyne and writes “…read both visual and verbal texts…” (Macken-Horarik 2003: 6) in order to truly understand the stories being presented. I agree with Clyne, as I feel that simply looking at an image of something does not tell you the full story behind the reasons why this is taking place. Macken-Horarik then goes on to discuss the article in detail, breaking down each paragraph. I personally found this to be the most informative section of the paper as it truly explained to readers, in quite simple terms, the linguistics behind each paragraph. Therefore it broke down the news article and it became possible to see how reporters use specific wording and writing styles to sometimes present an idea that a story is perhaps not that serious. Macken-Horarik discusses the role of generalisation and writes, “the trend to anonymise asylum seekers through use of generic references…” (Macken-Horarik 2003: 7). This is quite an important fact as it can be noted that the Prime Minister is mentioned by full name, and his title, asking the question, why do we choose to keep the gender of asylum seekers hushed; referring to them in group settings only, instead of individuals? Macken-Horarik then goes on to further discuss concepts like categorisation and role allocation, fundamental concepts when one writes a news article. Overall I found Macken-Horarik’s article to provide further insight into the way which the written media interprets and presents their stories, furthermore showing that the media can simply and easily distort wording, images and grammatical statements to present a more one-sided view of a story.</p>
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		<title>Blog Post-Week 9-Annabelle Lukin</title>
		<link>http://raegel.wordpress.com/2009/05/14/blog-post-week-9-annabelle-lukin/</link>
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		<pubDate>Thu, 14 May 2009 05:54:52 +0000</pubDate>
		<dc:creator>raegel</dc:creator>
				<category><![CDATA[arts1090]]></category>
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		<description><![CDATA[Annabelle Lukin “Reporting War: Grammar as Covert Operation” This article highlights what I feel to be several disturbing facts within relation to how horrors such as the war in Iraq are reported. Lukin discusses the concept of grammar and it’s ability to shift the blame, more often than not instead of blaming people, missiles are [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=raegel.wordpress.com&amp;blog=6897549&amp;post=19&amp;subd=raegel&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Annabelle Lukin<br />
“Reporting War: Grammar as Covert Operation” </p>
<p>This article highlights what I feel to be several disturbing facts within relation to how horrors such as the war in Iraq are reported. Lukin discusses the concept of grammar and it’s ability to shift the blame, more often than not instead of blaming people, missiles are blamed. Lukin gives the example; “Bombs fell on Baghdad” (Lukin 2003: 12), according to the rest of Lukin’s article the grammatical translation of this small sentence is placing the blame on the bombs, Lukin refers to this as a “self-endangered process” (Lukin 2003: 12), which attempts to state that the bombs simply fell upon their own accord, which is absolutely ridiculous. Having said that, it is in this way that the media can simply twist about the grammar of stories to provide a factual story, yet a story that simply does not blame a particular person. Yet if you view other articles in which an Iraqi has done something wrong, more often than not you will find that they are out rightly blamed for their actions. In this was the media is providing you with facts, yet the facts are twisted.  Lukin discusses how grammatical choices are almost chosen unconsciously. Lukin also discuses that her concept of grammar is not the traditional sense within which grammar is about rules, Lukin’s sense of grammar is all about “systems of choice” (Lukin 2003: 11). This in turn means that within the media each sentence they say or write is grammatically thought about and in turn affects the way in which the public interpret each individual story. From reading Lukin’s article I personally feel that she is trying to get the message across to all readers and watchers of the media, which is most probably everyone that through grammatical choices the media can present facts, which do not provide all elements of the truth. Therefore it would appear that when most individuals read all the stories surrounding the Iraqi war many would not place the blame on America, if the media was their only source of information as the media rarely place any blame on America itself, yet they blame the inanimate objects such as missiles or bombs for causing destruction. Yes these do cause the destruction, but they don’t just fire when they feel like it, they are fired by living people, and the media needs to start naming those responsible for causing the destruction caused by war.   </p>
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		<title>Week 8-Nick Couldry-&#8221;The Extended Audience&#8221;</title>
		<link>http://raegel.wordpress.com/2009/05/08/week-8-nick-couldry-the-extended-audience/</link>
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		<pubDate>Fri, 08 May 2009 01:56:59 +0000</pubDate>
		<dc:creator>raegel</dc:creator>
				<category><![CDATA[arts1090]]></category>
		<category><![CDATA[M13A]]></category>
		<category><![CDATA[Couldry]]></category>
		<category><![CDATA[The Extended Audience]]></category>
		<category><![CDATA[week 5]]></category>

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		<description><![CDATA[Throughout Couldry’s chapter he discusses the concepts of a diffused audience as well as backing up these claims with individual case studies. I chose to once again only focus on one particular area of the reading due to the fact that once again to discuss it all would take a very long time. I have [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=raegel.wordpress.com&amp;blog=6897549&amp;post=17&amp;subd=raegel&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Throughout Couldry’s chapter he discusses the concepts of a diffused audience as well as backing up these claims with individual case studies. I chose to once again only focus on one particular area of the reading due to the fact that once again to discuss it all would take a very long time. I have chosen to focus on section 5.2 “A Webcam in Every Bedroom?” I have chosen this aspect as I personally found it to be the most interesting section of the chapter. The very real concept of everyone having their own webcam is one way in which audience connectivity can take place. The concept of one being able to record/display virtually anything via webcam then upload it onto the Internet, makes it increasingly possible for anyone to view these. Thus the audience is extended from not only one particular town, but another state or even another country, as the Internet has endless possibilities. Couldry uses the example of the site jennicam.org. Couldry says that this site was “widely regarded as having pioneered the ‘webcam in the bedroom’ approach” (Couldry 2005: 215). Couldry also discusses UK Big Brother. Big Brother both in the UK and Australia is a show all about web-camming and the concept of catching one’s every move on a camera of some kind, this is then more often than not broadcast over the Internet. Until recently live streaming was offered on the Australian Big Brother site, this was kept up until an incident occurred late one night, resulting in immediate removal for some housemates. The audience watching this live streaming were the few people to ever witness the event, as it the live streaming site quickly became ‘live’ streaming, with a 5 to 10 minute delay. This shows that the webcam can attract any audience and most things can be watched at any time, quite like Foxtel iQ on demand.<br />
Overall Couldry discusses several things, mainly in relation to the audiences. Couldry discussed how audiences have become extended, I agree with this as I find audiences are not just looking at one screen anymore, or one form of technology, yet the audience is watching several media forms, including mobiles, T.V. and the Internet.  This expands the audience in both time and place and someone in Australia can be watching the same show as the audience in the UK, showing that the audience has extended from time and place.</p>
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		<title>Blog Week 7-Convergence</title>
		<link>http://raegel.wordpress.com/2009/05/01/blog-week-7-convergence/</link>
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		<pubDate>Fri, 01 May 2009 04:18:18 +0000</pubDate>
		<dc:creator>raegel</dc:creator>
				<category><![CDATA[arts1090]]></category>
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		<description><![CDATA[Programming Your Own Channel-An Archaeology Of The Playlist Teresa Rizzo The reading this week focuses primarily on how the concept of broadcast television has changed dramatically over the past decade. Television was once a focal point of the household, but these days it has been inexplicably replaced by the likes of iPod’s, the Internet and [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=raegel.wordpress.com&amp;blog=6897549&amp;post=15&amp;subd=raegel&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><strong>Programming Your Own Channel-An Archaeology Of The Playlist<br />
Teresa Rizzo</strong><em></p>
<p>The reading this week focuses primarily on how the concept of broadcast television has changed dramatically over the past decade. Television was once a focal point of the household, but these days it has been inexplicably replaced by the likes of iPod’s, the Internet and mobile phones. When television was once used to bring families together, it now seems as though it pulls families apart. The theory that each teenager has their own T.V., in their own space supports this concept that the television is no longer a ‘family thing’.<br />
In regards to this weeks reading I found it to accurately explain and cover many concepts of how television broadcasting has changed, but to discuss it all would take several hours, or even days, so I have chosen to focus on the case studies relating to Foxtel iQ and the Apple iPod.<br />
Foxtel iQ is based on TiVo, a popular American Personal Digital Recorder (PDR), and as the article suggests, it does indeed shift time and place when considering the T.V. These PDR’s make it possible to record shows to watch at a later date. Foxtel iQ also allows people to record one show, whilst watching another, this in turn means that you do not have to miss any of your favourite shows. It can be seen that many popular American drama shows, such as Underbelly (Channel 9) and Desperate Housewives (Channel 7) are both on at 8:30-9:30 Monday nights, now both these shows are very popular and with the ingenious invention that is Foxtel iQ is how now become very possible to watch one, whilst recording the other. In this way I agree when Rizzo tells us that the schedulers are no longer in control of the playlists, yet the public and each individual is now easily able to create and watch their own playlists at a time of their convenience. Rizzo writes the “ability to create your own playlist of programs results in a high level of personalisation”. (Rizzo 2007:112) I agree with this statement and find it to be a focal point of the reading. Indeed the concept of personalisation is extremely important to many individuals. In many ways Foxtel iQ has converged T.V with a PDR and well as the ability to create playlists, record, rewind &amp; pause live T.V., as well as the ability to fast-forward T.V “up to the point of delivery” (Rizzo 2007: 111). The whole process is done without the use of tapes, making Foxtel iQ almost like a DVD player.<br />
I have chose to discuss the Apple iPod as it many ways I use my iPod to converge several different media types, and view them anywhere, at anytime I choose. The iPod I own is known as the iPod Touch, and this iPod has built in WiFi. Therefore during uni hours I simply connect to the WiFi server and right there in my hands I have the ability to check my Facebook, E-mail, bank account and I even have the ability to access the iTunes store to further expand my music library. I completely agree with Rizzo’s discussions relating to the iPod. Rizzo says, “Customisation and personalisation go hand in hand with mobility in relation to the iPod”. (Rizzo 2007:116). This is an incredibly true representation of the iPod, as no one iPod is identical, granted that the musical tastes may be similar, but it’s almost a sure guarantee that different set of playlists exist on each iPod. The iPod most certainly converges T.V, music, Podcasts and pictures onto one small hand-held device which can go anywhere you go.<br />
Overall I feel that the aspect of the reading I have chosen to focus on accurately provides links between new tecnhnolgies and the convergence these have caused, as well as the concept of reforming both time and space as we know it. Indeed, where would one be now without their iPod while overseas in a foreign country where there is no English on the T.V., indeed simply pull out your iPod and you feel connected to home once again. </p>
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		<title>Week Five-“Mobile media and space” by Clara Völker</title>
		<link>http://raegel.wordpress.com/2009/04/09/week-five-%e2%80%9cmobile-media-and-space%e2%80%9d-by-clara-volker/</link>
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		<pubDate>Thu, 09 Apr 2009 23:45:00 +0000</pubDate>
		<dc:creator>raegel</dc:creator>
				<category><![CDATA[arts1090]]></category>
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		<category><![CDATA[week 5]]></category>

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		<description><![CDATA[Week Five Media Blog-“Mobile media and space” by Clara Völker The weeks reading focuses on the concept of ‘digital space’ and what it has become today. Völker discusses new programs available for your mobile phone that can immediately change the space you are in from digital to reality. This concept of phones almost being able [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=raegel.wordpress.com&amp;blog=6897549&amp;post=12&amp;subd=raegel&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><strong>Week Five Media Blog-“Mobile media and space” by Clara Völker</strong></p>
<p>The weeks reading focuses on the concept of ‘digital space’ and what it has become today. Völker discusses new programs available for your mobile phone that can immediately change the space you are in from digital to reality. This concept of phones almost being able to provide a digital space within in a virtual space highlights the vast degree to which technology plays in our lives. One of the programs, Socialight is a prime example of how technology is reforming digital spaces to reality. This program allows “interpersonal messages to be communicated via spaces” (Völker 2007:136). This highlights the drastic change in technology and reforms the concept of ‘digital space’ as we know it. Völker discusses that Socialight is transforming virtual reality and digital spaces to become physical reality.<br />
This article highlights the possibility that virtual/digital spaces are rapidly becoming closer to reality and as such blurring the already shaky line between virtual spaces and reality. The use of cell phones already creates an impression that both a physical and virtual space has been created. When on a phone you are talking to someone who is not physically near you in any way, they may be 5 minutes away, or 5 hours, yet it doesn’t matter because in many ways you feel as though you are with them. I know that sometimes when you are on the phone and someone recalls a funny story to you about someone on their bus or train, you do feel as though you were there with them. This once again begins to blur the already hazy line.<br />
Throughout the use of programs such as Socialight, which attaches virtual places (‘Sticky Shadow Messages’), which are then coordinated and given as a virtual representation of the physical place, is blurring the shaky line. This concept of mobile media and the space within which it occupies causes blurring lines and confusion about what is real and what is virtual. Indeed it seems as time goes on this concept is only to become more prominent and it won’t be too far into the future when the concept of virtual space and digital space will be lost forever, creating one universal space, that has become reality. </p>
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		<title>Post-Week Four-Shaun Moores!</title>
		<link>http://raegel.wordpress.com/2009/04/01/post-week-four-shaun-moores/</link>
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		<pubDate>Wed, 01 Apr 2009 00:03:19 +0000</pubDate>
		<dc:creator>raegel</dc:creator>
				<category><![CDATA[arts1090]]></category>
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		<description><![CDATA[Moores, Shaun. “The Doubling of Place: Electronic Media. Time-Space Arrangements and Social Relationships.” Throughout Shaun Moores writing he focuses on three main areas/events within which media can be seen as the ‘doubling of place’. Moores does discuss the fundamental point that it is physically impossible to actually be in two places at once, yet he [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=raegel.wordpress.com&amp;blog=6897549&amp;post=10&amp;subd=raegel&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><strong><br />
Moores, Shaun. “The Doubling of Place: Electronic Media. Time-Space Arrangements and Social Relationships.”<br />
</strong></p>
<p>Throughout Shaun Moores writing he focuses on three main areas/events within which media can be seen as the ‘doubling of place’. Moores does discuss the fundamental point that it is physically impossible to actually be in two places at once, yet he says “broadcasting nevertheless permits a ‘live’ witnessing of remote happenings…” In this way Moores discusses crucial role media plays throughout our lives, giving us the feelings that we really are in two places at once.</p>
<p>Moores first example is a crucial one, in which Moore discusses the funeral of much loved Princess Diana. The response of the pubic has been crucial to the findings; many people disrupted their daily routines in order to watch this monumental event ‘live’. Thus in turn gives the public a feeling of ‘being there’. I agree with Moores argument within the concept. Indeed when one does watch a ‘live’ program, you are much more likely to feel as though you are physically there, even though you’re most likely at home on the couch. Indeed it is this feeling on being in two places at once that prompts on to watch the ‘live’ show, instead of the later show. This funeral brings about a question raised by Turnock, “how is it possible to grieve over someone you’ve never met?” This is a question that does not have any one answer, it can be seen that people form emotional attachments to their favourite stars, regardless of whether they have met them or not. The death of Diana can more recently be compared to the death of Heath Ledger, though many people did not ‘personally’ know Ledger, people still grieved over his death. </p>
<p>Moores second example relates to the internet. Moores describes the Internet as part or everyday life. The Internet can be described as an ‘alternate’ world, within which one can vary their personality, their appearance and even their gender. Indeed being on the Internet in chat rooms, or ‘virtual pubs’ as Moore puts it can make people feel as though they are in two places at one time.  Turkle (1996a: 14) proposes that people can now exist in ‘many roles’ within ‘many worlds’ and the ‘same time’</p>
<p>Moores third example discuss the link between mobile telephones and the doubling of place. Indeed one can become so wrapped up in their conversations that they do forget where they actually are. A prime example of one being in two places whilst on the phone occurs at music concerts. I know, from past experiences, that if a friend could not make it to a concert of one of their favourite bands and another friend was able to go, the agreement was that the friend would call them during their favourite song. This is turn makes the non-attendee feel as though they are at that concert, even if it is for a brief second. The story Moores presents in relation to the young women speaking to her boyfriend, may give the lady the impression that she is physically with her boyfriend, even though she is on a train.</p>
<p>Overall I agree with most of the arguments that Moores discusses, it would seem in this day and age that indeed many technologies can make us feel as though we are at the place either described, shown or heard to us, even though it is quite clear that we are somewhere else.</p>
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		<title>Week Two-Domesticating domestication.</title>
		<link>http://raegel.wordpress.com/2009/03/20/week-two-domesticating-domestication/</link>
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		<pubDate>Fri, 20 Mar 2009 00:01:46 +0000</pubDate>
		<dc:creator>raegel</dc:creator>
				<category><![CDATA[arts1090]]></category>
		<category><![CDATA[M13A]]></category>

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		<description><![CDATA[The reading entitled “Domesticating domestication. Reflections on the life of a concept” by Roger Silverstone address the key issues when introducing technology into the home in such a way that is simply becomes an integral part of life. Silverstone explores the ideas present regarding ones simple attempt to ‘domesticate’ new technologies into unfamiliar environments. Silverstone [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=raegel.wordpress.com&amp;blog=6897549&amp;post=7&amp;subd=raegel&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>The reading entitled <strong>“Domesticating domestication. Reflections on the life of a concept”</strong> by <strong>Roger Silverstone</strong> address the key issues when introducing technology into the home in such a way that is simply becomes an integral part of life. Silverstone explores the ideas present regarding ones simple attempt to ‘domesticate’ new technologies into unfamiliar environments. Silverstone asks the question, “Wild animals then, wild technologies now: what’s the difference?” (Silverstone 2006: 231). This question begs one to truly ask themselves, what is the difference? Have we become a society dependent upon technology, where technology rules our lives, essentially having ‘gone wild’. Furthermore Silverstone brings up a key point in relation to new technologies simply being a mass form of consumption. My own understanding of this relates to the consumption of how as a society we only ever want the newest things, as soon as a new I-pod comes out, it is wanted by many, regardless of the condition of their previous model. This shows the disrespect newer societies have for personal belongings, showing that technology truly has become integral to everyday lives.<br />
Yet perhaps the most significant point Silverstone makes throughout this Chapter relates to the effect technology has had upon the home. Silverstone writes, “Households, we are told, are no longer what they were. They have become virtual…” (Silverstone 2006: 240). This is becoming increasingly true, households are not the same as they were in the 1950’s or 60’s, where televisions were not a focal point of the room rather they appeared to be in short supply and bulky. Silverstone discuss how technology separates one from another, even within the home, which should be a place of togetherness. Silverstone then goes on to say “Public, private: who notices anymore, who cares?” (Silverstone 2006: 241). I find this an interesting and vital point to Silverstone’s argument. Technology has reached a point in everyday lives where little is spared, if the latest pop star has been involved in a sex-scandal, it’s almost guaranteed to be mentioned on the 6 o’clock news. This creates a blurry line between the public and private lives of people. Shows like ‘Big Brother’ are just more examples of how ones seemingly ‘private’ life is to be broadcast all over public television and the Internet, yet while one does have the simple choice to turn the t.v. off, or change the channel many do not as it is this view into others lives that entice one to continue viewing, in a vicious cycle which in turn could be viewed as ‘wild’.<br />
Overall I personally feel that throughout Silverstone’s chapter several fundamental and significant points in relation to technologies functional role within society were discussed, giving myself a further view into the substantial role technology plays within society and what needs to be considered before we let technology rule our lives.</p>
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		<title>Media Post-Week One. &#8220;Media Studies 2.0&#8243;</title>
		<link>http://raegel.wordpress.com/2009/03/13/media-post-week-one-media-studies-20/</link>
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		<pubDate>Fri, 13 Mar 2009 00:47:01 +0000</pubDate>
		<dc:creator>raegel</dc:creator>
				<category><![CDATA[M13A]]></category>

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		<description><![CDATA[Gauntlett, D. “Media Studies 2.0.” Available at http://www.theory.org.uk/mediastudies2.htm The article entitled “Media Studies 2.0” written by David Gauntlett on the 24th February 2007, then revised further in March of 2007 express the concept that to continue progressing towards the future one needs to update their media studies. In the article Gauntlett contrasts the new Media [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=raegel.wordpress.com&amp;blog=6897549&amp;post=5&amp;subd=raegel&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Gauntlett, D. “Media Studies 2.0.” Available at http://www.theory.org.uk/mediastudies2.htm</p>
<p>The article entitled “Media Studies 2.0” written by David Gauntlett on the 24th February 2007, then revised further in March of 2007 express the concept that to continue progressing towards the future one needs to update their media studies. In the article Gauntlett contrasts the new Media 2.0 and its meaning to the “still popular traditional method”.</p>
<p>Gauntlett expresses the Media 1.0 is still highly popular and the most dominant teachings throughout many schools and universities. Gauntlett’s treatment of Media Studies 1.0 is portrayed in a more negative light than that of Media Studies 2.0. Gauntlett says that the alternative, which is Media Studies 2.0 is “characterised by a rejection” of most of Media Studies 1.0 characteristics. Gauntlett expresses the need for a new Media Studies to replace existing tendencies. In Media Studies 1.0, the concept of celebrating key texts produced by the powerful media industries has been revised in Media Studies 2.0 to incorporate many “independent media projects” including those on YouTube.</p>
<p>Gauntlett himself states that the “attempt to specify ‘Media Studies 1.0’ and ‘2.0’ is merely an attempt to clarify the shift”. It is this way that I agree with Gauntlett’s article, which is stating that media is constantly changing and although old media is still referred to it is the new and improved media that needs to be understood by all generations. Gauntlett refers to the end of the 20th century as a time when the media was unsure of what it could comment on anymore, and as Gauntlett clearly states, “Thank goodness the Web came along”. I completely agree with this statement, as it is the introduction of the Web that has helped the Media to expand and further express the opinions of everyone. I find that the introduction of the Web has become a way for all people to express an opinion on virtually anything, without having to appear on national television or writing to a newspaper, these opinions can be expressed with a certain degree of privacy being upheld. Gauntlett discusses several examples of Media Studies 2.0 in practice, including a more active participation in things such as Campaigns Wikia, which is based on the concept that “If broadcast media brought us broadcast politics, then participatory media will bring us participatory politics”. I personally found Gauntlett’s article to provide a serious insight into what Media Studies is becoming and how it’s concept of change is integral to providing a future for Media all over the world.</p>
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